The Prodigy was an entry-level monosynth from Moog, which has since become a very popular and widely used Bass-synth in techno and electronic music. It was designed as an affordable dual-oscillator synth. It was, however, designed without any help from Bob Moog himself.
Archive for month: July, 2019
The ElectroComp 101 was the successor to the rare ElectroComp 100 from Electronic Music Laboratories (EML), a small synthesizer company based out of Connecticut in the USA. Like the ARP 2600, the 101 was a patchable (1/4” patch cords) semi-modular synth with a pre-wired voice path that could be over-ridden via patching. But unlike the ARP, the 101 had as many as four oscillators (two of which could go sub-sonic, for use as LFOs) with multiple waveforms that you could sweep between using its rotary knobs. The 101 was also Duophonic so you could play up to two notes at once. Another major distinction was that unlike Moog and ARP, who used transistors that would tend to drift out of tune under various operating temperatures, EML used op amps which proved to be far more stable and reliable.
Includes EastWest Pro Sample Library CD ROMs Volumes 1-4 featuring hundreds of hip-hop and R&B drum loops and grooves, plus drum and bass construction kits and percussive adventures. TRITON ProX features 512 programs, 512 combinations (each consisting of up to 8 programs), plus 265 General MIDI Level 2-compatible programs. 838 quality PCM sounds, 32MB PCM ROM containing 425 multisamples, including realistic instrument samples and cutting-edge electronic sounds, plus 413 drum samples. Multiple filter types for each oscillator. 16-track sequencing. 48kHz stereo/mono sampling with 16MB RAM (expandable to 64MB). 102 newly developed effects plus BPM/MIDI sync for coordinating effects timings with the beat. Polyphonic dual arpeggiators. Realtime Pattern Play/Recording for triggering phrases with the press of a single key. TouchView GUI display for quick and intuitive data entry and editing. Alternate modulation for flexible sound modification. 4 knobs, 2 switches, and a ribbon controller for realtime expression. 6 outputs. Upgradable via optional expansion boards. Awesomely powerful and expressive.
Korg M3-61 at a Glance:
- Internally Xpanded version available NOW!
- Supercharged with 512 additional Sounds
- Four models available
- Enhanced Definition Synthesis: A new horizon of sound-making potential
- Effects
- Expanded Combination Mode
- Great sounds
- Second Generation KARMA
- Open Sampling
- Korg Komponent System
Yamaha MM8 Synthesizer at a Glance:
- Based on Sounds from the Premiere MOTIF
- Easy Search Function
- Tweakhead’s Paradise!
- Piano-like Expressiveness
- Backing Patterns for Jamming
- Powerful Arpeggiator
- Handy Performance Memory
- Write Songs and Create Demos
- Great USB Studio Synth
Product Highlights:
- Dual DSP System
- HyperSaw
- 129 Effects
Korg Kronos 61-note Keyboard Workstation at a Glance:
- Nine sound engines, infinite possibilities
- Amazing new technologies for smoother, more expressive sounds
- A studio of music-production gear onboard
- Easy-to-use hands-on environment
As the first-ever “hybrid” audio interface of its kind, the UltraLite-mk3 Hybrid provides flexible and mobile operation via FireWire or hi-speed USB2 connectivity to a Mac or PC computer, with professional audio quality at samples rates up to 192 kHz and plenty of I/O, including two mic/instrument inputs, six line-level analog inputs, ten channels of analog output, stereo S/PDIF and a stereo headphone output.
Compose, record, edit, and mix music or sound for picture with a complete set of tools and advanced workflows.
Seamless punch recording. Automatic take management. Support for pristine 24-bit/192kHz audio. Logic Pro makes it all easy to do — and easy to undo. With over 250 audio tracks available and the ability to run hundreds of plug-ins, you’ll always have what you need to complete your project.
Nuendo 5 is the world’s number one in native audio post-production, with a superior feature set that surpasses all your expectations. Nuendo 5 comes with a wealth of features made for film and TV editors, mixers and video game sound designers. An important part of the day-to-day work in audio post-production is the recording of audio content that needs to be synchronized to the picture.
Studio Mixing
The mixing process involves the formation of multiple, processed channels in a coherent music project, combined with the application of EQ, dynamics and effects and ultimately their binding in a stereo format.
It has certainly happened to you to record your own original songs, but not to sound as you would. Sometimes what is missing is the objective influence of someone who knows the tricks that will make a piece stand out among others. Together with mixing, our services include suggestions and apps for adding to your songs, much or less creative, as you wish, to help them succeed.
Our engineer’s experience in mixing, our equipment and the control room acoustics that meet the highest standards are here to offer you the best possible conditions. The engineer gives us great attention to detail and we guarantee that you will hear the difference in your professionally blended tracks.